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Bob Dylan Wins Nobel Prize for Literature

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The 2016 Nobel Prize in Literature has been awarded to American singer-songwriter Bob Dylan, for "having created new poetic expressions within the great American song tradition."

The 2016 Nobel Prize in Literature has been awarded to American singer-songwriter Bob Dylan, for “having created new poetic expressions within the great American song tradition.”

The 2016 Nobel Prize in Literature has been awarded to American singer-songwriter Bob Dylan, for “having created new poetic expressions within the great American song tradition.”

When Bruce Springsteen inducted Bob Dylan into the Rock and Roll Hall of Fame, he said: “Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual.”

Dylan’s influence on music cannot be overstated: the way he subverted the notion that radio tunes have to be three minutes long; the way he proved that songs with overtly political themes can be commercially successful; the way his music resonates just as much today as they did when he recorded them decades earlier.

To be fair, there are quite a few songwriters whose work is still relevant, but here’s only one – Dylan — whose poetry has, at times, changed the course of history.

Here’s an incomplete list:

“Blowin’ in the wind”

Yes, and how many years can a mountain exist

Before it’s washed to the sea?

Yes, and how many years can some people exist

Before they’re allowed to be free?

Yes, and how many times can a man turn his head

And pretend that he just doesn’t see?

The answer, my friend, is blowin’ in the wind

The answer is blowin’ in the wind

THEN: Dylan released this timeless classic at the height of the civil rights movement and sang it at a voter registration rally in Greenwood, Mississippi. The trio, Peter, Paul and Mary, who – like many covered the song — played it on the steps of the Lincoln Memorial during the March on Washington, just hours before Martin Luther King Jr. stood before thousands and declared “I have a dream.”

NOW: Many years later, the song was the subject of a homily by Pope John Paul II, the only time a pop song had prompted such a sermon. In it, the pontiff said, “You say the answer is blowing in the wind, my friend. So it is: but it is not the wind that blows things away. It is the wind that is the breath and life of the Holy Spirit, the voice that calls and says, ‘Come!'”

“The times they are a changin”

The line it is drawn the curse it is cast

The slow one now will later be fast

As the present now will later be past

The order is rapidly fadin’

And the first one now will later be last

For the times they are a’ changin’!

THEN: In the canon of timeless classics, this one rests at the top — a clarion call to parents, politicians and the public to get on the right side of history during the civil rights movement, to choose courage and compassion over complacency, involvement over inaction. Dylan wrote it “I knew exactly what I wanted to say and who I wanted to say it to.” It is poetic, prophetic, powerful — and it has been covered by singer-songwriters from Joan Baez to Bruce Springsteen.

NOW: With age, idealism gives way to realism. And sometimes the wise are worn down. In 2000, he turned the sentiments in the song upside down with the track “Things have changed”

People are crazy and times are strange

I’m locked in tight, I’m out of range

I used to care, but things have changed

“Subterranean homesick blues”

Better stay away from those

That carry around a fire hose

Keep a clean nose

Watch the plain clothes

You don’t need a weather man

To know which way the wind blows

THEN: For those too young to remember, the Weather Underground was a radical group that sought to overthrow the U.S government, and carried out a series of bombings in the mid-1970s, including one at the State Department. The group was informally known as the Weathermen and it took its name from a line from Dylan’s “Subterranean homesick blues”: You don’t need a weather man to know which way the wind blows.

NOW: The song is influential for a second reason: its music video. In it, Dylan stands outside the Savoy Hotel holding a stack of cards with key words from the song that he drops as he lip syncs along. That card-dropping sequence has been copied so often by so many acts that it went from homage to imitation to pop music cliche.

“A hard rain’s a-gonna fall”

Oh, where have you been, my blue-eyed son?

And where have you been my darling young one?

I’ve stumbled on the side of twelve misty mountains

I’ve walked and I’ve crawled on six crooked highways

I’ve stepped in the middle of seven sad forests

I’ve been out in front of a dozen dead oceans

I’ve been ten thousand miles in the mouth of a graveyard

And it’s a hard, it’s a hard, it’s a hard, and it’s a hard

It’s a hard rain’s a-gonna fall.

THEN: ” A hard rain’s a-gonna fall” is Dylan’s dissection the Vietnam War. He sings of forcibly dispatching young men off to war and the lasting effects of that on America.

NOW: The song, couched in symbolism and imagery, can also be interpreted in other ways, most often as warning to heed the dangers of climate change. Ahead of the Copenhagen climate change conference, the UN adopted the song and released a video to highlight the dangers of global warming.

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